Retrieved 25 July Retrieved 16 October Retrieved 4 November Rotten Tomatoes. Fandango Media. CBS Interactive. Retrieved 13 April The Guardian. Retrieved 23 November Retrieved 4 September Retrieved 24 January Retrieved 11 March Cineuropa - the best of european cinema. Retrieved 26 December National Society of Film Critics.
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The Sisters Brothers by Patrick deWitt. February 22, Best Director. Best Adaptation.
THE SISTERS BROTHERS | British Board of Film Classification
Best Cinematography. Best Editing. There's also an unexplored hint of a gay relationship, which gives the movie a sense of unfulfilled longing. Each character seems to want something they can never have. It's a subtle but lovely undertone which gives this often goofy film a little depth. Flaws and all, it's one of the best films of the year.
Glenn G Super Reviewer. Jan 02, The early Westerns seemed to love to act the imagined nobility of King Arthur's court. Everyone had a higher purpose or calling 'cept the bad guys , "making the world safe for decent people.
“The Sisters Brothers” Is Not Your Average Western
And so we meet the Sister Brothers, assassins who love their jobs and really only hate the boredom of the interludes in between killing and taking what they want. Are they monsters for this? This work doesn't think so and looks for the humanity in our protagonists. When they aren't killing somebody.
Good stuff. Kevin M. W Super Reviewer. Dec 10, It isn't what you expect and not always what you hoped it might be, but it consistently does whatever the hell it wants and one can't help but to appreciate it for exactly that. In other words, The Sisters Brothers is wholly its own thing and it's very up front about this fact with an opening scene that is both startling, starkly aloof, and perplexing in the most intriguing of ways.
While it feels natural to be tepid in the opening twenty or so minutes as exposition is avoided in favor of the audience putting the pieces together themselves it is once director Jacques Audiard Rust and Bone begins to parallel the arcs of our titular characters as played by John C. It's always nice to see a movie when, in general, you see so many movies and think you know where it's likely going only to have it continually go in a different, but completely logical-and natural-feeling-direction.
Some Dark Visions at the Venice Film Festival
Phoenix and Gyllenhaal give two very distinct, but vastly different performances for two characters that are more similar than they might like to admit even if they come to recognize as much. Gyllenhaal's accent is especially noteworthy. Ahmed's interpretation of Warm is a matter of perspective and he plays this advantage to the hilt given the ultimate course the actions take.
It is Reilly who steals the show though, serving as a throughline of steadfastness in doing something despite the difficulties his brother provides and the endless delays he takes the blame for all in order to achieve a success he doesn't seem to necessarily agree would define the word "success". It's a wonderful, well-rounded performance that lends the final scene of the film a sense of near-perfection; capturing a small truth of life we don't often recognize or discuss and painting a two-hour portrait with it.
Philip P Super Reviewer. See all Audience reviews. There are no approved quotes yet for this movie. Best of Netflix. Go back. More trailers. Lodge Our Boys. The Terror. The Deuce. Country Music. A Very Brady Renovation. Prodigal Son. All Rise. Bob Hearts Abishola. Bluff City Law. No Score Yet. Below Deck Mediterranean. Team Kaylie. The I-Land. Carnival Row. American Horror Story. The Spy. Criminal: UK. Game of Thrones. John C. The quarrelling Sisters brothers, Eli and Charlie, are two grizzled guys liable to come riding into town up to no good. To help them track their victim, the Commodore lends them the services of a private detective Jake Gyllenhaal who mostly annoys them with his pompous letters telling them what to do.
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