Along the way, the group hears about the shapechangers who tried to kill Morgon. Raederle also learns that Morgon is indeed alive and is pursued by magical and ancient beings like the shapeshifters as well as the long-lived wizard Ghisteslwchlohm. Harpist in the Wind brings Morgon and Raederle together as they seek the answer to the many questions which have arisen along their journeys. Morgon and Raederle are joined by wizards, formerly prisoners of wizard Ghisteslwchlohm who came into conflict with Morgon previously. Morgon learns more about the lands and their laws; how each ruler is tied inextricably to the land, and how the ruler knows all that lives within their land.
As such, the High One, as supreme ruler of all lands, has the same connection to all lands. With shapechangers as central conceit, the identity of many characters and figures can easily come into question. Such is the case with Deth, the High One as well as many of the wizards who travel with or are encountered by Raederle and Morgon. Yeah, those are part of what mark him has the land heir of the High One. This eventually leads to a final confrontation with Ghisteslwchlohm as Morgon comes into a full understanding of who he is and what his powers are.
It has been many years since I originally read these books…or rather one book in the omnibus format I own. Although the magical elements are ever-present, McKillip is able to evoke these elements in such a way that they simply are a part of the world Morgon and Raederle inhabit. Riddles are at their heart of the story, a form of puzzle or game, and the series can be seen as layers of riddles and hidden meanings.
This is most evident in the enigmas of Deth and the High One, although Morgon gains the title of Riddle-master in the first novel, it is perhaps the High One and the wizard Ghisteslwchlohm who both play the longest riddle game of all. Like many of the best fantasies, McKillip has provided a wonderful backdrop of history and a deep world these characters populate. What works best is the amount of detail she provides. As I indicated above, this rich world comes through as a conversation, between the reader and the narrative. It allows the reader to connect with the world and become something of an active participant in the story.
If anything, it makes that much more believable. The series is hopeful and despite the dark tidings which beset our heroes and hardships they endure, there is a hopeful tone to the story, a great deal of positivity and upbeat nature. Nearly forty years later, the Riddle-Master trilogy remains a standard of fantasy as a whole, and epic fantasy specifically.
This is one of those stories and sets of books you hand a young reader eager to enmesh themselves in magical lands and to keep them hooked. Riddle-Master is a complete, beautiful story in three relatively short volumes of near perfection. In an age when single volumes of some fantasy series are larger than the omnibus containing these three volumes, it is refreshing to experience a fantastic tale that is so elegant, concise, lyrical and charming.
Great post. These were the first fantasy novels I remember reading. My younger brother bought me the first paperback for a birthday gift and I quickly nabbed the next two and lost myself in the series. People make a big deal about McKillip's prose, which is understandable, because it's magnificent and slightly tricky. You do have to read every word in a way you don't often have to in prose, because she elides description and action, so something that starts out as setting the tone might turn out to be an important plot development. And McKillip is efficient, economical.
The Riddle-Master of Hed is only pages; books 2 and 3 are likewise slim. I particularly love the first lines of the first two books: "Morgon of Hed met the High One's harpist one autumn day when the trade-ships docked at Tol for the season's exchange of goods. Again, understandable - the humor is itself rather understated. It's there, though - and it serves an important counterpoint to the solemnity of everything else. Har, the wolf king, is particularly good for this - he gets some of the best lines, and I always hear him as Peter O'Toole there is something cinematic about these books, but then, the majority of the decisive action takes place inside people's minds - so there is something much more vital that is quite anti-cinematic.
The unruly royal families of Hed and An are also a source of humor, and of love, and of hope, and of fire. Oh, and the other similarity with Tolkien that speaks strongly to me, though I think McKillip commits to it more, is the desire for peace. As with other books I will slowly add here, this is one I think the world of, particularly this one and for its love story which moved me to the depths but I will mislead by that comment - the love between two people I refer to is not romantic in the conventional sense.
There is one of those, done and done well, with a wonderful female character who is strong and practical in her own right. I should not even have to say that, should I?!
But this other relationship takes the whole trilogy to relat As with other books I will slowly add here, this is one I think the world of, particularly this one and for its love story which moved me to the depths but I will mislead by that comment - the love between two people I refer to is not romantic in the conventional sense. But this other relationship takes the whole trilogy to relate, and is done with a light touch that moves exquisitely, even a sentence is sometimes all that is said, a look, a gesture, a posture.
Characters, motives, rich contexts, imagination, high romance not the sexual kind , high drama, and multiple, colourful, likeable individuals shown in depth as well as a strong plot woven in complex layers, are all strengths of this work. But aside from all of that, the style and language is simply poetic, simple and lyric, vivid with stark images and feelings powerfully told with few words.
If I was limited to one word alone, I would say atmospheric.
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Jul 06, Olivier Delaye rated it really liked it. Good Fantasy, if somewhat a little predictable. The writing however is pure poetry. McKillip's mastery of the English language is downright breathtaking! Aug 23, Jessica rated it it was amazing. I grabbed a copy of this book to read on a plane to Ireland. The plane landed when I had finished all but one chapter, and I ran to the baggage claim to sit down and finish it. The story was compelling, the writing was exquisite, and McKillip manages the nearly impossible -- in writing about emotions and experiences that are impossible to put into words, she suggests them so well that the reader is able to feel them.
It made me choke up in a number of places, even cry in a few, and there are imag I grabbed a copy of this book to read on a plane to Ireland. It made me choke up in a number of places, even cry in a few, and there are images burned into my mind that I will never forget. A comparison to Tolkien is probably useless -- McKillip and Tolkien share little except an obvious love of myth and language, and stunning vision and originality.
However, in reading other reviews, where reviewers indicate that they found the book confusing, or "weren't able to get into it," it did occur to me that this is not a book for everyone.
Riddle-Master (Riddle-Master, #) by Patricia A. McKillip
The language and images are rarely concrete -- they are fleeting impressions, suggested rather than described. The story and writing overall are dreamlike -- you can understand them instinctually, but if you try to analyze or think about them too much, they fade like a dream does upon waking. For people who like their descriptions concrete, or who prefer events to be clearly explained, or who want explanations that are stated directly rather than implied, it would probably make for very frustrating reading.
The best advice I can give to a would-be reader who is not familiar with McKillip's writing style is to not think about it too much while you're reading it -- just experience it. If, after finishing the first book of the trilogy, you're not enthralled, put it down. If you aren't put off by the dreamlike nature of the book, however, you will find it one of the most astonishing and revelatory reading experiences you will ever have. I picked this one up as part of my reading project for this year.
I'm really trying to read more books written by ladies pre in SFF. This definitely fit the bill, but unfortunately it didn't grip me anywhere near as much as I had hoped for This includes the third and final book in the trilogy which follows Morgon, Prince of Hed, and Raederle, his lady love I've reviewed the first two individually from this one. In this volume we see both of them come together after much adventuring abo I picked this one up as part of my reading project for this year. In this volume we see both of them come together after much adventuring about, and we get some explanation after a whole lot more mystery about just WHO the High One is and what's been going on with the magic and myth of this world.
I have to say I was frustrated by this volume as although I think it wraps things up well enough I felt like this really reverted back to many of the problems I had with book 1. I didn't feel like I really got into the story, I felt detached from the characters again, and the people I did like were once more shunted to the background I would give the series as a whole a 2. Jun 08, Chieze rated it really liked it Recommends it for: fantasy fans who liked the songs of Tolkien.
Shelves: fiction , fantasy. When I picked up this book, the only fantasy I had read for a long time were of the large, serial variety Robert Jordan, George R. I gotta say, this was quite the breath of fresh air. The characters are all likable, the plot and pacing were perfect, and even though this is only one book it's a trilogy, but the size of it is about the size of one volume of A Song of Ice and Fire, so I think of it as one book , the world is very immersive.
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The sense of urgency as the hero of the story When I picked up this book, the only fantasy I had read for a long time were of the large, serial variety Robert Jordan, George R. The sense of urgency as the hero of the story races to save his life builds to near tangibility. McKillip has an almost lyrical quality to her work that reminds me of the songs found in Lord of the Rings. Also, one of the things that I look for in a fantasy book is an interesting system of or at least an interesting take on magic.
This book has that. Most of the magic throughout is inherently tied to the feudalistic system of land-rule that governs the world in this book. It's a really cool idea and handled throughout the story very well. When the reader finds out near the end of the novel what all of it has to do with the protagonist I honestly forgot his name and it all comes together, it's one of the coolest moments in a fantasy novel. Sep 13, Katie rated it it was amazing Shelves: favorites , fantasy , religion.
Common McKillip themes exemplified by this trilogy: 1 There is nothing which cannot be faced, endured, known, understood. Even if it means turning pirate to hunt the dead bastard down. Will he have the strength of will to overcome those dangers, and what part will Raederle of An have to play in the upheavals to come? What do they all mean?
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Morgon cannot do it on his own. He has to rely on others who are bound up with the rule of their own lands, and particularly he must depend on Raederle whom he has seemingly won by successfully answering a riddle. Raederle in fact proves to be a significant ally to aid Morgon in his impossible task. If you are one of those who, like me, come all over faint with the plethora of invented names epic fantasy specialises in, fear not: a glossary of people and places is included. Or perhaps neither of these. If you like mysteries to go with your magic and questions to go with the quests then this may be just the thing for you.
Dec 27, Christian rated it did not like it Recommends it for: no one. I bought and read this book on the recommendation of several family members who had read the original books when they were first published and when they were much younger readers. First, the formatting of this book was poor and may be the result of the three original novels being combined into a single edition. There were several times when the character came out of a dream sequence, but you didn't realize it until a paragraph or two later. Likewise, there were other times when the setting changed or time passed and there wasn't any indication of this.
Most authors put a blank line between paragraphs to indicate either of these occasions, but that's only used a couple times throughout the book. Additionally, the dialog formatting is poor and can be confusing when there are several characters in a room having a conversation. Most of the time, there are several lines of dialog without attributing them to their speaker.
Since the characters are all flat and don't have any variation in dialect and don't have any catchphrases, I found myself just reading through it and not caring who said what as long as I got to the next paragraph. Besides the formatting, the lack of introduction to the world and characters was also a point of frustration for me. There is no background to what a "riddle" is or how they are important in the world. For the series to be called "Riddle-Master" there should have been more setup and explanation as to how the riddles of the world worked, and why they were important.
It didn't even seem like there was a high regard for those that studied riddle-mastery. They didn't walk around the land with an elevated status, or any extra honor compared to other characters. It seems more like the riddles were simply "questions" that needed to be answered, and often you can substitute the word "question" for "riddle" and the text will make more sense and reads more smoothly. One of the examples of the text where this stuck out most was pg.
There's also nothing really mentioned about the importance of a character's "name" either. There's a little background as to the wizards and some of the other characters in the books, but it doesn't really explain why the continental land-rulers aka Mathom, the Morgol, Har and Danan Isig are almost immortal having lived centuries , while Morgan's parents didn't seem to be centuries old and certainly weren't immortal. I was able to fight through the poor formatting and lack of background detail in hopes that the story and characters would be good.
I was let down. The overwhelming majority of the books are taken up with characters traveling. There's not much conflict and almost zero fighting. I think that for these two reasons, the target audience for the series is much younger perhaps the under 12 crowd. Unlike other books, there isn't a rush you get from characters narrowly avoiding the enemy or barely defeating their foe. The characters just plod along on their path as it appears before them. It's more like one of those "lazy river" rides at a theme park than an actual roller coaster. After the second book, I only read the third one because I had it, and I had hope that it might be better than the first two.
The aftermath at the end is also rushed, as though McKillip had a deadline to make and just wrapped everything up as best she could. I would bother discussing this poor finish more, but the lack of interesting characters didn't really make me want to know what Tristan, Eliard, Danan Isig, Har, Mathom and the Morgol ended up doing.
I'd recommend this book to a parent who's going to read to their child, or has a young reader and is looking for an okay story that doesn't feature any violence or things that might be unsuitable for younger ones. Children will be able to muscle through the poor formatting and lack of background information and will probably find the story entertaining.
I feel like this book was like when you watch a children's show as an adult and say, "how on earth can kids find this interesting? Aug 25, Danny rated it it was ok. While McKillip's prosaic writing is masterful, it also makes the book very difficult to read.
I found myself screaming, "just get on with it! While the most interesting characters were never fully developed, the title character was overdeveloped and unlikeable. I grew weary of the constant whining over his destiny, remorse for things he did, or expostulating on everything from life mysteries to romantic endeavors.
She wanted to create a Tolkein-like world, but ended up with only the dismal sha While McKillip's prosaic writing is masterful, it also makes the book very difficult to read. She wanted to create a Tolkein-like world, but ended up with only the dismal shadows of the most obscure parts of Middle Earth. It's like a beautiful abstract painting View 1 comment. So this is yer basic three-part magical-feudalism farmboy-leaves-home-and-finds-a-sword-and-a-destiny Tolkien-clone kind of a thing, with flat characters in a sometimes incoherent world but also a strong prose style and enough specific interest to earn it a place on the shelf with its samey siblings, and a richness that's hard to identify.
It's pretty good. What makes it fascinating is that it was written by a woman in the early-to-mid nineteen seventies. It predates Brooks and by decades Eddin So this is yer basic three-part magical-feudalism farmboy-leaves-home-and-finds-a-sword-and-a-destiny Tolkien-clone kind of a thing, with flat characters in a sometimes incoherent world but also a strong prose style and enough specific interest to earn it a place on the shelf with its samey siblings, and a richness that's hard to identify.
It predates Brooks and by decades Eddings and Goodkind and Jordan and Martin, and there are signs all over it of influence on all of them, and on the next generation, too, especially Patrick Rothfuss and, in a happier genealogy, NK Jemison. So I enjoyed it most as a pretty gratifying experience of filling in a missing link of the fantasy canon. Most of the areas where it suffers are a symptom of its major virtue, which is having kept itself short, but even in brief space it's surprising that the principal characters are so vague, and that in spite of compelling premises and worldbuilding there's not much emotional drive.
But I love its care for knowledge, the way it invests in the structure of the quest as fundamentally an epistemological one, a need to know, seeking as the solving of riddles or, more simply, asking and sometimes answering of questions. Institutions of knowledge, generations of scholarship, teaching and learning—these are books that know what seeking really is. It loses track of this in some ways as the books proceed, but always riddlery is the engine that gradually reveals the mystery of sovereignty in this world, an ecological learning that is another of my favorite things about it.
And in the middle book, the only part dominated by a female protagonist and her mainly female companions, I found Raederle's responses to patriarchy refreshing: it's clear she lives in a world where women's lives are limited by patriarchal prerogatives, but instead of trite meta-commentary on the fact of it, or not-like-other-girls haughtiness, what we get a weirdly satisfying passivity in her acceptance of the fact that men and male argument will be an obstacle to her at every stage and the steady company of her continuous stubborn persistence in taking her own path.
In other words, it's a set of responses to patriarchy written by a woman. Anyway, recommended for people who wish they could get back the hours of their adolescence they devoted to the Wheel of Time. McKillip Review I will admit to being a bit at a loss of what to say about this series. On the one hand, I liked a lot about it, and liked the way it meandered about and came at a couple question in interesting ways. On the other hand, this book was a bit dense in places and I didn't really feel that it helped the narrative to circle back and back to certain things, and there were parts where I just wanted to know what was happenin Stuff I Read - Riddle-Master: The Complete Trilogy by Patricia A.
On the other hand, this book was a bit dense in places and I didn't really feel that it helped the narrative to circle back and back to certain things, and there were parts where I just wanted to know what was happening and it was a little vague. It's a good trilogy, but there were some lingering problems that I just couldn't get into so much. The trilogy is structured well, though, with the first book following Morgon of Hed as he and the High One's Harpist, Deth, travel through the various realms and discover riddle after riddle.
They are bound for the High One, and the world building is interesting and well done, with the various lands having different laws about how they work.
It's a standard set-up for fantasy, a reluctant hero and all that. The second book, with Raederle as the main character, was really where the book started to take off, because it complicated the villains and made Raederle a real character with her own motivations and strengths. She and Morgon are a great pair of characters, though I might have wanted a bit more to really believe their relationship.
Still, everything worked all right. The most frustrating part came with the third book where things dealing with the Earth-Masters were brought up. Because, in my opinion, things flew off the rails a little bit there. I was following along nicely to that point, but when it came to the High One's mastering the land-law and limiting the Earth-Masters, I was just sort of pursing my lips a lot trying to figure it out.
It doesn't help that the writing style is not always the most straight-forward, and while the setting was great, the characters solid, and the reveals and twists quite good, I couldn't help but feel a little let down by the ending. Not that I'm sure what else could have happened, but it wasn't satisfying to have Morgon solve things the way he did. The children of the Earth-Masters that he had spoken to said they were waiting for a man of peace. And Morgon was supposed to be that man. But he couldn't find a truly peaceful solution. Peaceful enough, maybe, but it felt to me like sweeping it under the rug, hoping that the problem would die before anyone had to deal with it.
It just didn't sit right. I really liked the ending with him and Raederle, but it wasn't enough to bump it higher than a 7. Aug 18, Sara rated it it was amazing. Absolutely beautiful. I started reading this book and found myself a little bored or seeing ways I thought it could have written it better. But then suddenly, I found myself swept up by the mastery of the simplicity and I was in love with the world and the characters and the plots. The beauty is in the simplicity. The sparseness that still somehow captivates you.
What this book does that so many modern books fail to do is that it gives you almost everything. It gives you enough and th Beautiful. It gives you enough and then leaves you to make your own decisions and think for yourself on some of the moral and fate issues and twists it leaves dangling. It's one of those books that when you read the end you feel as if you expected it and didn't expect it at the same time and within that dichotomy is a sense of peace and loss because it ends so well but then you know that you can never unread it and reread it.
First series I've ever read in which the sequel and last in the trilogy become even better than the first. Nov 03, Michelle rated it liked it Shelves: fantasy. Aug 01, Glenn Hopper rated it it was amazing. This is my all time favorite series. Even though it is older than most it just brings me to tears every time I read it. The hero is so likable, so everyman, that he is easy to identify with, and Raderle, his love interest is so strong, so independent, the entire second book centers on her!
This is over thirty-four years ago! The trilogy makes use of a number of themes from Celtic mythology. The novels take place in a fantasy world divided into a number of countries. Each ruler has a mystical awar This is my all time favorite series. Each ruler has a mystical awareness of his or her land: the land-rule. The seldom-seen High One presides over all. Riddles, typically questions about obscure pieces of lore,are the method both of education and mastery in the world. Everyone has a name and a place, except Morgon Memorable characters, lands you wish to visit, and at the heart of it all a man and a woman filled with love and magic, running from Mar 31, Peter rated it it was ok.
I'm having a hard time getting into this book. The quotes on the cover not withstanding, someone should have edited these books it's a compilation of 3 novels. I had a hard time following the dialogue in places because she doesn't always tell you whose talking and the characters behave in inexplicable ways. If it doesn't get any better soon, it'll be for sale on Amazon! It was hard to read more than 2 pages at a t I'm having a hard time getting into this book. I'm sure McKillip got better as a writer after she finished these 3, but it'll be a long time before I pick up one of them. Aug 26, Tish rated it really liked it.
First, I recommend that you read this compilation that contains all three books of the trilogy as you need to read them all and you need to read them all at once. Plus, since I read it that way, it was like reading one longer book which I prefer to three shorter books. Anyway, I really enjoyed these books. The writing is lovely, almost poetic, which, for me, is both good and bad. Good, because of course beautiful writing is good, but bad because sometimes my admiration of a particular passage w First, I recommend that you read this compilation that contains all three books of the trilogy as you need to read them all and you need to read them all at once.
Good, because of course beautiful writing is good, but bad because sometimes my admiration of a particular passage would take me out of the story itself, leaving me a bit less connected to it than I would have been otherwise. Mostly, I really loved the characters, so many of them that I can't even list them all. They were all so unique and so While the plot was good a nice mix of tried-and-true with originality , if I reread these books it will be to revisit the characters.
Mar 28, Lumi rated it did not like it Shelves: zero-stars-maximus-horribilis , lumi-s-reviews , fantasy. It pains me to give a fantasy book zero-stars, because fantasy is one of my favourite genres and I usually find something to like in a fantasy book even if I didn't think it was that great. But I can't remember liking anything about The Riddle-Master. I found the writing obscure and difficult to get into, none of the characters were especially appealing and it seemed to me the plot just dragged on and on without going anywhere exciting.
I'd give more details but I read this awhile ago and my only It pains me to give a fantasy book zero-stars, because fantasy is one of my favourite genres and I usually find something to like in a fantasy book even if I didn't think it was that great. I'd give more details but I read this awhile ago and my only clear memory is having to force myself to finish the book and the whole time I couldn't wait to get it over with. It's extra disappointing considering all the good reviews I'd read on it.
I really expected to like it, I wanted to like it, but I just didn't. This is an omnibus edition containing all 3 novels in the series. I would rate the first book The Riddle Master of Hed a five 5 star book with the two following not quite up to its standard. This is a great series. Oct 27, Bryn Hammond added it Shelves: imagined-fiction. It restored my faith in fantasy and the writing was wonderful -- witty, taut, not overblown.
The only thing Tolkien did better was the high seriousness of his resolution. He didn't write as well. As I finished each book of the trilogy, I wrote down my thoughts. McKillip's Riddle of Stars trilogy. This is a magical, wonderful novel. McKillip's prose unfolds effortlessly, a simple, beautiful, straightforward style of writing that nonetheless contains great power and depth, like a strong current of water flowing beneath a gleaming, sparkling river of ice. McKillip's fantasy world unfolds organically; her text is no As I finished each book of the trilogy, I wrote down my thoughts.
McKillip's fantasy world unfolds organically; her text is not dense with detail, but rather lightly seasoned with adroitly placed specifics so that the world fills in around the edges and from the center as a reader travels further into it. The protagonist of the book, Morgon, land-heir of the realm of Hed, has a fate thrust upon him that he fights at first and then reluctantly endeavors to fulfill. In this way Morgon is typical of a thousand fantasy heroes who have gone before. But his fate, his quest, his journey unfolds in atypical fashion, and least as far as his adventures and journeys take him in this first book.
There is magic in the world of Riddle-Master and it is portrayed by McKillip in an evocative fashion, lingering somewhere on the threshold between dream and awakening. In McKillips magic 'system', to understand a thing is to become that thing, and a practitioner can slide between waking and dreaming without great distinction between one state or the other. McKillip paints beautiful images in the mind's eye of a reader, not with super-dense hyper-realistic detail, but more like with the deft, provocative, strokes of an impressionist, leaving the mind's eye and the imagination to fill in the rest.
The Riddle-Master of Hed ends on a great cliff-hanger, one that will propel this reader directly into the pages of the next book. McKillip's Riddle of Stars trilogy is, in my estimation, even more potent, more magical and wonderful, than the excellent first book The Riddle-Master of Hed. A large portion of this second novel focuses on a character named Raederle; the way in which McKillip describes Raederle's magic, her power, and her efforts to protect her beloved Morgon, is absolutely masterful.
Again, as in the first book, in Heir of Sea and Fire , McKillip's evocative prose, which is deceptively simple and not at all overwrought or florid, unfolds wonders and magic and beautiful images in a reader's mind. I am eager to dive into third book of the trilogy, Harpist in the Wind , to discover the outcome of this tale, to take one more enchanted sojourn in this fabulous world McKillip has created. Like the two books that preceded it The Riddle-Master of Hed and Heir of Sea and Fire , Harpist is a grand adventure filled with evocative language and great beauty.
A great battle is waged to determine the fate of the realm, but it unfolds in a way unlike any other war I've read before. And there is a satisfying resolution to the mysteries that preceded this book. Morgon of Hed and Raederle of An have become two of my favorite fantasy-literature characters. I find McKillip's 'magic system' particularly inventive and I am very enamored of her descriptions of the natural world, especially light and the way it reflects in various ways. Harpist in the Wind is an excellent conclusion to the Riddle of Stars , and the trilogy overall has become one of my high-fantasy favorites.
Jul 17, Daniel Welker rated it it was amazing Shelves: favorites. Of all the words to describe the Riddle-Master trilogy, "inheritor" might be the most apt to begin with. This book is a spiritual successor to Tolkien in a way that very few fantasy series have ever managed. McKillip places the emphasis of her conflict on adventure, not action, and the plot is undertaken by the unlikeliest and most pitiful of creatures.
In Middle-earth, a hobbit; in Riddle-master, a pig-farmer of Hed. McKillip is also preoccupied with riddles, although she changes the rhythm to so Of all the words to describe the Riddle-Master trilogy, "inheritor" might be the most apt to begin with. McKillip is also preoccupied with riddles, although she changes the rhythm to something less Tolkien and more ancient.
A riddle in her trilogy, not as we know riddling, is a call-and-response puzzle that can only be answered by those familiar with the history of the land. McKillip does not "worldbuild" as she writes, she reveals a world that is already built through her riddles and ancient narrative threads. It is as clever as it is delightful. Perhaps the next word to describe the trilogy is "lyrical". Her writing, as in all of her books, truly sings. It demands to be read, re-read, and then spoken aloud so as to marvel in the perfect placement of every individual word.
Her prose is marvelous, gorgeous, and simply remarkable. The way that she writes is as much a part of the experience as is the plot. It is an element, like wind or fire. Darkness is its own kingdom; it moves to its own laws, and many living things dwell in it. I would think "resounding" is the proper word. It booms and gongs, and perhaps like an echoing bell those familiar with fantasy will see many of the "twists" coming a mile off; nonetheless, knowing the twist does not remove the stature and command that the reveals still have.
All the same, I recommend going into this book without looking up the plot. It's worth it. So, to sum up: Riddle-master is resounding, lyrical, and an heir to the father of the genre. It is a remarkable work of fiction and one that I highly recommend.
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Readers also enjoyed. Young Adult. Science Fiction Fantasy. About Patricia A. Patricia A. Patricia Anne McKillip is an American author of fantasy and science fiction novels, distinguished by lyrical, delicate prose and careful attention to detail and characterization. Most of her recent novels have cover paintings by Kinuko Y. She is married to David Lunde, a poet. According to Fantasy Book Patricia Anne McKillip is an American author of fantasy and science fiction novels, distinguished by lyrical, delicate prose and careful attention to detail and characterization.
McKillip's stories usually take place in a setting similar to the Middle Ages. There are forests, castles, and lords or kings, minstrels, tinkers and wizards. Her writing usually puts her characters in situations involving mysterious powers that they don't understand. Many of her characters aren't even sure of their own ancestry. Music often plays an important role. Love between family members is also important in McKillip's writing, although members of her families often disagree.
Other books in the series. Riddle-Master 3 books.
Related The Riddle-Master of Hed (The Quest of the Riddle-Master Trilogy, Book 1)
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