The name has symbolic meaning. Physically we dance; we make our crafts with our hands; our flute we do it with our hands. The AkaMya group has changed over time, but the main focus of culture and alcohol and drug-free remain the same.
The Dance of Person and Place: One Interpretation of American Indian Philosophy
And we are involved with multimedia, slowly learning the skills. For Romero it all begins with the dancing. His regalia or dancing clothes were designed by him and sewn by his mother Margaret. Because the Hoop Dance has a lot of motion, twisting and turning, the regalia are kept simple, with no cords, yarn or beads hanging down. It is the closest form that we do when we are dancing, except without the bustle. The regalia you wear are small with wristbands, the belt, breach cloth, and legging, but no shirt.
Many of the designs are based on the Mayan Cross. I drew the designs and she said it made her think of me because it is like us with the four corners. One of the prevailing forms in American Indian art is circularity and it dominates the perception, reality and life philosophy. The box designs are also from his pueblo.
The basket designs are seen behind the pueblo signs. Mine is the journey I have been on at age Dancing is a very physically demanding performance form. I used to practice all the time but the job mentally exhausts you. Once a week I do something that focuses my dance. I need a lot of wrist strength for hoop dancing. Sand in a sandpit also requires and develops increased leg strength.
Not too much because building up bulk interferes with the flexibility you need. The core of AkaMya is dancing. Dance group, multimedia, events and training in wellness. It is important realize that the most sacred dances were not open to me because I am not on a Paiute path so I have not experienced these. Romero did explain the kinds of dances he performs. Those are the ones we share at powwows. Fandango is a Spanish word and the Paiute word is very long and difficult for non-speakers.
Social dances are not really spiritual but they are honored. It is a high honor and it is also done for healing but it varies from region to region. They have to use the red willow hoops which are real thin, flexible. That is a big thing when you know it is being done for spiritual affect. Here today I am performing it to raise energy and it can be done to contemporary music. The dancers do Paiute war, ribbon and basket. There is also a jingle dancer here today. One of the best insights into his dancing was given by Romero in an interview done by Dr.
[PDF] Rhythm as Logos in Native World-Ordering - Semantic Scholar
It is almost as if my heart clears and lungs broaden. I feel that pride of knowing it is time to get down. When I dance, there have been times where everything around me becomes blurred, and my focus is entirely upon my hoops and the song. The crowd around me becomes a constant hum and the lights wheel about me as I share my story. It is a feeling that is truly unmatched at times, and I find myself constantly wanting to back to that place in null times.
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Sage Andrew Romero Uses Hoop Dancing to Create Spirit and Identity Among Owens Valley Paiute | KCET
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Sage Andrew Romero Uses Hoop Dancing to Create Spirit and Identity Among Owens Valley Paiute
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Sage Romero hoop dancing in Taos AkaMya. Sage Romero hoop dancing AkaMya. Story continues below.
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Add to cart. Norton-Smith , Paperback. Be the first to write a review About this product. About this product Product Information Uses the concept of "worldmaking" to provide an introduction to American Indian philosophy. Additional Product Features Dewey Edition. The author opens a unique and exciting avenue for philosophical discourse by demonstrating a method of inquiry that provides a new way of interpreting Native thinking, a method that not only promotes Native philosophical systems but allows for greater communication between Western and Native philosophers.
The writing is accessible and shows a deft and helpful interplay between abstract language and concrete illustrative material. Norton-Smith offers an insightful discussion of Native American epistemological concepts This book is an excellent exercise for all philosophy students as an expansion of worldviews and an examination of Western epistemological foundations and biases. It also offers an insightful discussion of indigenous philosophy for both philosophy and indigenous scholars Highly recommended.
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