The Architecture of Deconstruction. Derridas Haunt


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تفاصيل ال٠نتج

Hoteit, A. Deconstructivism: Translation from philosophy to architecture. Canadian Social Science, 11 7 , Huntington, S. The clash of civilizations and the remaking of world order. Penguin Books India. Jencks, C.

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Theories and manifestoes of contemporary architecture. Khalil H.

Faculty of Fine Engineering, University of Damascus , Mallgrave, H. An Introduction to Architectural Theory: to the Present. Parvin Ed. Retrieved August. Wong, J. The text of free-form architecture: qualitative study of the discourse of four architects.

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Design Studies, 31 3 , Sullivan, M. Peter B. Lewis Building. Ghandour, S.

Architecture of Deconstruction - Bernard Tschumi

Frearson, A. Furuto, A. Pagnotta, B. Jones, R. Retrieved August 24,.


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Beko Masterplan. City of Culture. However the interrogation is not external of the form, as it is not slicing, piercing, fracturing the form.

Mark Wigley, The Architecture of Deconstruction: Derrida's Haunt - PhilPapers

To disrupt a form externally in this method is not the reason to endanger the form, but only to decorate it or destruct it. Damages created externally produces only an image or a representation of danger but is not a genuine threat unlike deconstruction. Deconstruction is created from within the form themselves through inspecting the very own structure that produced the form fig. This method used is visibly different from just bringing the impure characteristics within a form to the surface but instead relishing the contamination of an inherited virus.

Deconstruction represents disorder, disarticulation and deflection instead of demolition, decay, or disintegration that is so frequently associated with this architecture.


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  • Instead of destroying the structure, it celebrates the structure by highlighting it. Work produced through usage of deconstruction is portrayed as disturbing or unsettling.

    The Architecture of Deconstruction: Derrida's Haunt

    However with this procedure what becomes unclear is whether the distortion or the form originated first. Deconstructivist architecture also removes the need to relate its production to context, unlike other architectural projects, where the context is of heavy concern. This is done by, seeking the unfamiliarity within the familiar.

    It therefore allows it to displace the context instead of complying with the context. These deconstructive projects nevertheless do not disregard the context, but instead makes certain elements of the context part of the intervention, and they are made unrecognisable. The projects would display components of the context in which it interrupts the rest of it. This brings to the attention of the previously unnoticed disruptive features and in doing so, makes them thematic.

    Deconstructivist architecture is not seen as a new avant-garde, though it does intimidates the qualities of architectural objects and form. It is not a new language within architecture. It discovers concealed and unseen elements within the traditional. It targets the feeble elements within the traditional and disturbs it instead of removing or destroying it. It attacks these feeble elements right in the centre. By occupying the centre of the traditional, it conveys that the traditional and that the pure forms has always been infected by a virus.

    Also through inhabiting the traditionally, Architects will discover certain pieces and features of the traditional that where once undiscovered before. Deconstruction or Deconstructivism cannot be considered a movement though. It is rather a point where the ideas of different architects moving in different direction cross.

    These different architects has obviously provided ideas and influenced each other, but they cannot be perceived as a team. They will eventually develop their theory of deconstruction and interpret it completely different to one and each other. What they do share though is, they all design and construct a distorted looking building through exploiting the undiscovered possibility within modernism.

    Different architects will reveal and expose inhibition to produce forms in completely different ways. By doing this, they create architecture, that once used to be familiar into an unfamiliar object, and a form, through distorting itself, exposes a new identity. During an interview with Christopher Norris in , Derrida was questioned about his philosophy of deconstruction and the relation it has with art and architecture.

    As mentioned above, Derrida himself displaced his earlier opinion on deconstruction, where he reject ed the connection between deconstruction and architectural thought. Instead Derrida has concluded that the finest way to communicate deconstruction through work is to represent it through visual arts, such as architecture. But then you have to then reinscribe these motifs within the work.

    Derrida in the interview later explains how deconstruction works within architecture. Deconstruction can be used to deconstruct aspect of architecture i. It is often said to have a negative attitude. Something has been constructed, a philosophical system, a tradition, a culture, and along comes a deconstructor and destroys it stone by stone, analyses the structure and dissolves it…. It seems to me…that this is not the essence of deconstruction. It is not simply the technique of an architect who knows how to deconstruct what has been constructed, but a probing which touches upon the technique itself, upon the authority of the architectural metaphor and thereby constitutes its own architectural rhetoric.

    Deconstruction is not simply One could say that there is nothing more architectural than deconstruction but also nothing less architectural. He however emphasised that deconstruction is not the case of just the undoing of construction. Architecture was seen as a form of writing to the understanding of Derrida and therefore a way of living. Different architects perceive deconstruction differently compared to each other. Tschumi deconstructed the brief, which questioned and challenged the ideology of the brief itself. He would dissemble the conventions of architecture by exploiting the concepts that originated from architecture, and also elements such as literacy, philosophy and cinema.

    The way Peter Eisenman perceives deconstruction can be seen in an interview held in Eisenman dismisses his work as deconstructionist, as it was not clear to him that was what he was doing in his earlier work. I am not certain that my work is Deconstructionist. He believed that deconstruction was not something that was associated as a style but to do with ideology.

    Prior to the show it has not been a style or fashion, it has been a way of working. I think deconstruction is a process, which could have many styles. Eisenman fig. Rakel rated it it was amazing Feb 09, Benjamin marked it as to-read Jul 18, Robin added it Jul 28, Russell added it Jul 25, Lynnette marked it as to-read Sep 18, Dana marked it as to-read Jan 09, Mina Hanna marked it as to-read Aug 26, Andrew Rodda marked it as to-read Apr 27, Cristofer marked it as to-read Jan 11, Lol Wu marked it as to-read Mar 19, Gunnar added it May 16, Jeffrey Harper is currently reading it Mar 01, Ruishi Ge marked it as to-read Apr 29, Minibrie marked it as to-read Feb 24, Bridgett marked it as to-read Mar 28, Hannah marked it as to-read Dec 22, Marty marked it as to-read Apr 27, Gabriela Niven marked it as to-read Aug 16, Saiska marked it as to-read Sep 05, Jaymee marked it as to-read Mar 23, Drew Hoekstra marked it as to-read May 09, Robert added it Jun 17, Bryson marked it as to-read Aug 11, Yudianantri marked it as to-read Nov 13, Ramiro Sancov added it Nov 26, Pau Sola added it Mar 09, Yuan marked it as to-read Mar 15, There are no discussion topics on this book yet.

    About Mark Wigley. Mark Wigley. He served as Dean from to He received both his Bachelor of Architecture and his Ph. Books by Mark Wigley.

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