Rollo at Play

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Jacob Abbott. Publisher: Aegypan , This specific ISBN edition is currently not available. View all copies of this ISBN edition:. Synopsis About this title Rollo, age 5, hopes to have fun in the woods -- if the vexations would only stop popping up! About the Author : Jacob Abbott - was an American writer of children's books.

JACOB ABBOTT, Rollo at Play, or, Safe Amusements, Boston: Thomas H. Webb & Co., 1838

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Stock Image. New Paperback Quantity Available: Kindle Edition , 93 pages. Published December 18th first published More Details Original Title. Other Editions Friend Reviews. To see what your friends thought of this book, please sign up. Lists with This Book. This book is not yet featured on Listopia. Community Reviews. Showing Rating details. More filters.

Rollo at Play by Jacob Abbott, Juvenile Fiction, Action & Adventure

Sort order. Rebekah Kensington rated it it was ok Sep 25, Rebekah Kensington rated it it was ok Apr 24, Nicole Luck rated it it was ok Aug 17, Rebecca McCaffrey rated it it was ok Jun 20, Debbie Ward rated it liked it Sep 26, Jerimy Stoll rated it liked it Feb 09, Brielle Nickole rated it it was ok Mar 19, Nickole Schlapkohl rated it it was ok Nov 20, I just finished doing four seasons of Vikings. If I take another role set in medieval times then it has to be as good or better or I'm carving out a career as an actor that just does those dramas -- especially if I take on a role or a project that is a step down in quality.

You may get a paycheck You can become the guy that only does this , even though you might be versatile enough to be able to do that , and that Vikings was somewhat unique. I had done period dramas and they were really just get credits on my CV. I'd been riding horses and training in martial arts and doing stunts for years, so those were skills I could play to. Then, I am definitely drawn to characters with fires in their bellies. I like characters with layers.

Catalog Record: Rollo at play | HathiTrust Digital Library

I like the flip side of the coin: I like characters that aren't what they first seem. If a character is heroic and stands up to be counted, what is the sacrifice he had to make to do that?

You also have to take into the account the script. Creator and writer Michael Hirst has the pedigree. I auditioned to be Ragnar, and when Travis Fimmel got the role, Michael changed the part of Rollo to suit me. Making Ragnar and Rollo brothers was a license we took; Michael initially wrote him as Ragnar's hard drinking, wisecracking, slightly psychotic fifty-ear-old cousin. Making us brothers was a clever plot device that enabled us to take Rollo and smash him into a thousand pieces and then slowly put him back together again.

I'm blessed with Rollo.

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He tries to learn from his mistakes, and that's something we can all relate to. When he falls down he gets back up and tries to make himself a better person. I love that about him.

Saga Brief 5: The Story of Rollo the Viking

The show runner of Taken is Alexander Carey. He wrote the majority of Homeland. When we Skyped and talked about taking on the character, he answered all the questions I was worried about. I was a British champion in Muay Thai, and I wanted to carry that on in Taken , but I don't want to go down doing action films that aren't set in reality.

I don't believe in characters that can run up walls and do double back-kicks. Brian Mills, the character I play, is an everyday guy True, but the way Brian is written, we definitely believe it. The moment we don't believe something, we turn it off and make a cup of tea. We're unforgiving. That belief has to come from character. You have to believe what you're seeing can really happen to someone.

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You can tell a story through action but it must have a through line. To paraphrase Shakespeare, "Sound and fury signify nothing. You can't do impossible things. In Taken you don't do stupid kung fu moves when you just need to move someone out of the way. Alec has written a real-world scenario.

That even comes down to how Brian looks. Brian is a spy; he should be able to sit next to you in a cafe without you realizing he has those skills. You have to believe he could disappear into society. Alex has also embraced the time and place and the duplicity of characters.

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