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A Lover’s Discourse: Cinephilia, or, The Color of Cary Grant’s Socks
Opens a door. Then, having gone out, closes it. The words have not been found. Although Epstein never tells us precisely what it is — there is no language — he does elucidate that it can only be produced through the lens of the camera. Naremore was amused to discover that Raymond Durgnat had admitted to a similar preoccupation. But that is not what is important here.
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Or does it matter more that Raymond Durgnat and Adair belonged to the same cinephiliac coterie? Issue 0.
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Cinephilia in the Age of the Post-Cinematographic Issue 0. The Use of an Illusion: Childhood cinephilia, object relations, and videographic film studies Issue 0. Email Address.
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