She's cold and calculating but also passionate and hopeful. She has a vengeful streak but also a sentimental streak. And she's whip smart. Nora from A Doll's House is a bit more lackluster, but she shows great resolve throughout and real insight by the end. Gina, from The Wild Duck is the most sympathetic, pragmatic of the female characters in these plays. And her daughter Hedvig, although self-sacrificing is still real and grounded.
The only character that is a bit wobbly for me is Hilda in The Master Builder , and even she is complex albeit confusingly so. Questions of truth; what is it and what does it mean for each of us: Without getting too into the weeds, each play addresses the idea of truth in its own way, the notion that what is happening in the foreground of life has often little to do with what transpires in the background. People misconceive one another's intentions. They misunderstand one another's deepest desires and fears. They obfuscate their own desires from other people and from themselves.
And in a moment when the truth is revealed, there is in each play a lingering sense that the established lie is as true as the revelation, depending on your point of view Things I wasn't as keen on A sense of symbolism bearing down on everything: This is a bit of a quibble. Normally, I really enjoy a good metaphor.
I think just having read these four plays back to back, I got a little tired of asking myself questions like, "Who is the duck suppose to be? The meandering path between point A and point B: In 3 of 4 of these plays, the endings felt abrupt and a little unearned. Nora's turning on a dime in A Doll's House makes sense enough, but her tonal shift is so sudden and drastic it was hard for me to believe. Hedda Gabler drew a mostly straight line from beginning to end, but I don't think that the gradual escalation of things prepared me for so drastic an ending.
And The Master Builder ended as it must, but it took many detours along the way so that by the time the inevitable happened, the meaning of the events had been muddled for me. Only The Wild Duck progressed in a way that was clear to me, and it actually telegraphed its ending so loudly that I found myself a little impatient for it. A gun appears in the first act so the slow plod outward from there feels a bit long.
VERY similar motifs: guns, socially-oppressed women, debt, etc.
Some details lose their specificity when they are shuffled around and reused multiple times. These complaints I make half-heartedly. Although they might have lessened my enjoyment some, I read with a sense of context and I get that Ibsen is the father of modern drama.
Anything that feels overdone at this point is probably because he did it first and everyone else after him followed suit. So to sum up, history may have stolen some of the oomph but none of the mastery from these plays. Ibsen is ridiculously good at writing. Every character he creates has motive for their actions, and half of them you can't help hate from first sight because of how disgustingly prideful, scornful or dumb they are. Yet the wonderful thing about Ibsen is that in less than pages and about four acts your perception of a character will utterly change.
Ibsen writes what is called the problem play, a convention of writing he created based on the "well-made play. His work often reminds me of a sitcom, as the problems are simple yet delicately intertwined between many of the characters he creates. He is hands down one of the best in creating a scene that is real. Best of all, most of his plays in this series happen in one place, or one room, so you really get to know one setting and how it affects each of the characters.
A Doll's House is about Nora, married to Torvald Helmer, a woman who is decidedly happy about her life, yet is completely trapped in her past. Her character seems stupid flighty whiny and needy. When two characters form her past reappear Mrs. Linde and Krogstad who both vie for a position within the Helmer's life, Nora is forced to become a new person in an attempt to keep her life as it is, while it spirals out of control. The Wild Duck follows the story of the Ekdal family, seemingly happy and satisfied with life. But when an old friend Gregers Werle appears, inviting Halmar Ekdal to join a party at his father's house, the hidden past of Gina Ekdal, Halmar's wife and their daughter Hedvig soon emerge.
38 Best Hedda Gabler images in | Hedda gabler, Applique quilts, Appliques
It is then that I came to dislike Halmar, for his blindness as well as his selfish and foolish actions. In this play familial ties plays a great role as well as the idea of sacrificing. In Hedda Gabler, newlyweds Hedda and George Tesman arrive at their new house, dominated by a portrait of the late General Gabler, as well as furnishings depicting an arosticratic household. Yet Tesman is a bourgeois scholar attempting to attain professorship, to support Hedda his pregnant wife, who at first glace is a sour, frigid woman whow ants nothing to do with the Tesmans.
As friends and ghosts from the past come visit Hedda is torn bewteen her duty to society and keeping up her farce of a marriage with Tesman or letting herself be once again affected by the debauched and Eilert Lovborg, who is seemingly 'rehabilitated' by Thea Elvstead, a former flame of Tesman. When Judge Brack inserts himself into the picture, slimy and propositioning Hedda, the situation goes awry. Throw in some guns, a stove, a manuscript, and a death motif associated with babies and you are in for a wild journey! In the Master Builder, Mr. Solness, the master builder attempts to keep his position as the best builder in town by squashing the Brovik family, making them work for him.
By seducing Kaja, Ragnar Brovik's betrothed Solness plans for the future as he prepares to move into a new home with his wife Aline, built where her family home once stood. When Miss Hilda appears in Solness' life, claiming that he owes a debt to her, his plans begin to go awry as she seduces him with her imagination. Feb 08, Rhonda rated it it was amazing Shelves: drama-and-plays.
I had heard of him, of course, but had no idea what he was about.
- Four Major Plays, Vol. 1: A Doll House / The Wild Duck / Hedda Gabler / The Master Builder;
- Henrik Ibsen - Wikipedia?
- Paul: A Man of Grace and Grit (Great Lives)?
Quickly I became spoiled by what I now know are great plays. My only mistake came in the respect that I always believed there would be great playwrights like Ibsen and O'Neill. This play suggests that there can come a time when you decide not to allow someone else to manipulate your life. It unfortunately takes more than just courage and anger to make such a decision. One recognizes in Nora a great fortitude as well as a need to become a person on her own terms.
I applaud all the Noras who make that brave decision. It presents the extraordinary difficulty each of us has in balancing a personal and professional life, especially when the professional life is highly competitive and demanding. I find less symbolism and more psychology in this play and it is a masterwork of depicting the guilty conscience that one has in being unable to do all the things one desires for all the right reasons.
Sooner or later, this play says, your lifestyle makes you look hard into a mirror and question how and why you did things. I see this play as Ibsen asking the same question of himself. Deprived of all theirlies, some to each other some which support one anoter's lies, the family cannot help but fall apart. It seems easier advice to accept than to practice, but one wonders whether in fact a person canlive without his or her false dreams. Jun 04, Dania rated it liked it. A charming endeavour into the triumphant journey of a woman by the name of Nora, who is finally breaking free from the binds of a ridiculously suppressive and degrading husband.
It brings to light an alternative perspective, as it is set in Norway, unlike the "common" feminist accounts of Sylvia Plath and the like. This read is filled to the brim with literary wonders and offers a wide array of themes, many even more relevant today. Particularly in today's America, we see more than ever the divi A charming endeavour into the triumphant journey of a woman by the name of Nora, who is finally breaking free from the binds of a ridiculously suppressive and degrading husband.
Particularly in today's America, we see more than ever the divide between the poor and the wealthy, and this desire for acquisition of wealth is drilled in even the young. Seldom does a day pass where our generation is not bombarded by advertisements: Buy more, more, more. More buying is more happiness! What a message to send to this world, when we are already suffering enough as it is from this greed.
This book also touches upon fear of debt, which is especially rampant in today's society. I believe it is most applicable to the grads of today, grad year '11, '12, '13, and now '14 are graduating with THOUSANDS upon THOUSANDS of loans, and inadvertently find themselves in chaotic situations of taking up various odd gigs and jobs in an effort to eliminate what they've all been taught to fear, and taught to pursue, just like Nora!
Personally, I would have enjoyed this story particularly more if Nora was perhaps of an ethnic "minority". Why are WOC so rarely written about?!
Four Major Plays Vol.1 : Centennial Edition
Not cool! Imagine if this story had been about a Mexican, or Black, young lady It would totally have taken on the humanist perspective! Alas, a very creative and wittingly well-writ play, that deserves at the very least a skim. This seemed a tad cliche, though I understand it may have been a needed-cliche at the time. But seriously The concept is not new. It is hard to amaze me with a worn-out concept like this one, especially since it was so frustrating to accept Nora's unquestioning compliance at first! Jul 15, Evan Sandman rated it really liked it.
All four plays are about terrible marriages--Honeymoon irony!
Collection includes: a. The Wild Duck--A favorite. Dark Dr. Relling opposes him with his conviction that sad folks survive only with the power of self-affirming illusion. Who will win in the end? Destructive truth of course--duh! Hedda Gabler--Look no further for the seed of modern drama. One wonders if this one accompanied Ibsen to the restroom with the hand lotion. Torvald is all caring and condescension towards his not-so-scatterbrained wife, only to be seized by selfishness when her secret actions are revealed. What good was her saving his life if it was only going to kill his professional reputation?
Heavy-handed, but makes its point. Feb 08, LG rated it liked it Shelves: taught. Of the two protagonists, I prefer the older, tougher, much more wrecked and destructive Hedda, often considered a counterpart to Hamlet in the sense of a career-defining role. Nora, in contrast, is not a tragic heroine. An enjoyable play to stage and read aloud in the classroom. Again, don't know how many stars to give.
I really liked the four of them although by the end I was growing a bit weary as the plots have some similitudes. Basically, the author introduces you to a 'normal' environment, usually a family, but you soon notice that things cringe a bit.
- The Price of Freedom: A History of East Central Europe (2nd Edition).
- International Nuclear Waste Mgmt Factbook.
- Archimedes in the Middle Ages. III. The Fate of the Medieval Archimedes. Part iii;
I especially liked the first and second plays. The first because it's the story of how a women evolves from being a 'doll' i. The second one is very interesting because the 'disruptive character' is an ass who has very clear ideas on what's right and what's wrong, and does not, for a second, think on the consequences of doing things that he supposes are universally good regardless of anything. The third and fourth plays felt a bit weirdish, or maybe it's that I didn't like the main characters Hedda and Hilda.
Anyway, it's been interesting to read Ibsen for the first time! I guess this would be a I don't remember the last time I read a book worth a A newly married couple return home from their six month honeymoon. Hedda, the new bride, is restless and disatisfied. As the play evolves, Hedda's desire for a life bigger than her own spirals into tragedy. I've read this before and I've always loved what a bitch Hedda is. I love that she let's slip her little irritations, her real opinions about the smallness of life around her. And yet, that is all she can do - complain about her grievances.
Because underneath it all, she is a coward, unable to A newly married couple return home from their six month honeymoon. Because underneath it all, she is a coward, unable to face society's censure. The judge is such a jolly spider of a man, trying to entrap Hedda into an illicit relationship. Hedda's husband Tesman is so oblivious, so enamoured of life in a superficial way, that he cannot comprehend the enormous complexity of his new wife's inner struggles. Hedda's old love, Lovborg, is a disaster waiting to happen.
But his easy genius is unbearable to the envious Hedda. It's all so tangled and rich and angry. That production just opened everything up for me. It was truly astounding. I love this play. Oct 05, Sam rated it it was amazing. Probably my 4 favorite plays by Ibsen. I haven't read Ibsen since high school, but I just loved him back then and I have 6 books of plays on my shelves, so I have decided to pull all my books and re-read 1 play each night, this month.
This was a great start and it reminded of all the reasons I claimed him as my favorite author during my college interviews. I love the female characters of these 4 plays and Ibsen has such a socially and societally conscious voice. He wrote the truth despite controversy and to expose inequities he felt were over looked in his time. Apr 04, Andrew rated it it was amazing. Ibsen is a genius. A wild, brooding, disruptive genius. His was a mind that somehow saw beyond the social constraints of 19th century Europe and examined the human condition raw. If he had not been a playwright, he should have been a philosopher or a prophet.
These four plays--rightfully among his most well-known--capture his attention to detail, his insights into human emotion, and his terrifying ability to strip away pretence and compel uncomfortable introspection about the lies, visions, and h Ibsen is a genius. These four plays--rightfully among his most well-known--capture his attention to detail, his insights into human emotion, and his terrifying ability to strip away pretence and compel uncomfortable introspection about the lies, visions, and heights that we construct.
In a way, Ibsen is the perfect companion to Kierkegaard, who challenged the notion that constructing an objective understanding of others is possible. Ibsen almost rises to this challenge, revealing innermost thoughts through brilliant dialogue, imagery, and excellent stage directions. Theatrical interpretations abound of course, but the process must surely always bring forth new insights into what we all experience: the pride, fear, ambiguity, and love that dominate our relationships. Aug 25, Justin rated it liked it Shelves: theatre.
Our Lists. View all online retailers Find local retailers. Read more. Also by Henrik Ibsen. Related titles. To Kill A Mockingbird. Pride And Prejudice. Brave New World. Crime And Punishment. Fyodor Dostoyevsky , Fyodor Dostoevsky. The Handmaid's Tale. The Great Gatsby. For Whom The Bell Tolls. Catch 50th Anniversary Edition. On The Beach. The Wind-Up Bird Chronicle. The Crucible. Little Women. Louisa May Alcott , Louisa Alcott. Charlie And The Chocolate Factory. Nineteen Eighty Four. Wuthering Heights: Popular Penguins. Subscribe to Read More to find out about similar books. Sign up to our newsletter using your email.
Related Four Major Plays, Volume 1: A Doll House/The Wild Duck/Hedda Gabler/The Master Builder
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